{"version":"1.0","type":"rich","provider_name":"\u003Cspan class=\"caps\"\u003EEXPRESSION\u003C\/span\u003E, Centre d’exposition de Saint-Hyacinthe","provider_url":"https:\/\/www.expression.qc.ca","title":"\u00c9trange familiarit\u00e9","author_name":"Richard Th\u00e9roux","width":"1920","height":"1080","url":"http:\/\/expression.qc.ca\/en\/exhibitions\/archives\/2019-2020\/article\/cynthia-dinan-mitchell","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/expression.qc.ca\/en\/exhibitions\/archives\/2019-2020\/article\/cynthia-dinan-mitchell'\u003E\u00c9trange familiarit\u00e9\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWith Cynthia Dinan-Mitchell\u2019s work, we, as viewers, are impelled to revisit whole swathes of art history, and to reconsider styles, genres and techniques we would normally think of as incompatible. In her syncretic approach, she brings together a wide range of influences and methods\u00a0: the baroque, 17th-century Dutch still life painting, the chiaroscuro, contour drawing, etching, Japanese and Western film aesthetics, screenprinting, ceramics, sculpture, and other, more recent elements as\u00a0(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}