Réouverture d’EXPRESSION
Dès le samedi 20 juin
Du jeudi au dimanche de 13 h à 17 h

L’équipe d’EXPRESSION est heureuse de vous annoncer que nos salles d’exposition seront de nouveau ouvertes au public à compter du 20 juin 2020.
Vous pourrez profiter de la prolongation de l’exposition Étrange familiarité de Cynthia Dinan-Mitchell pendant des heures d’accessibilité réduites, soit du jeudi au dimanche de 13 h à 17 h.
D’ici là, nous sommes à planifier un retour sur les lieux physiques de travail et une expérience de visite pour vous, en toute sécurité.

Suivez-nous sur notre page Facebook pour les plus récentes mises à jour.

Au plaisir de vous revoir, à compter du 20 juin prochain !

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NAAKITA FELDMAN-KISS, JULIE LEQUIN, BOGDAN STOICA

information will be available soon

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Jocelyn Robert

Conjonctures

August 17 to October 27, 2019

Jocelyn Robert is an interdisciplinary artist active in music, sound art, programming, performance, installation, video and writing.

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Jocelyn Philibert

Dimension lumière

November 9, 2019 to January 26, 2020

In the 1990s, Jocelyn Philibert was known for his sculptures and installations. However, since the early 2000s, his practice has been focused primarily on photography. Indeed, he now creates sophisticated large-scale photomontages made from hundreds of flash photos—photos taken at night and assembled during the day, the light of the sun now replacing its artificial counterpart.

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Cynthia Dinan-Mitchell

Étrange familiarité

February 8 to September 6, 2020

With Cynthia Dinan-Mitchell’s work, we, as viewers, are impelled to revisit whole swathes of art history, and to reconsider styles, genres and techniques we would normally think of as incompatible. In her syncretic approach, she brings together a wide range of influences and methods: the baroque, 17th-century Dutch still life painting, the chiaroscuro, contour drawing, etching, Japanese and Western film aesthetics, screenprinting, ceramics, sculpture, and other, more recent elements as well, such as surrealism and botany. Audaciously time-travelling, voluntarily conjuring up anachronisms and provoking impossible encounters between incongruous objects, Dinan-Mitchell constantly throws us off the scent.

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